In General:
There are numerous discrepancies in phrasing in the string parts - especially the violin parts. The bowings in the parts are clear and idiomatic, but at times they veer rather far away from Puccini's intended phrasing.
Act One:
2-3 before rehearsal 16 - all slurs and phrase marks in 1st violin parts are missing
4 before rehearsal 36 - 1st violins have piano in the parts, not forte
Act Three:
3rd bar of rehearsal 7 - there are discrepancies in how the third and fourth beats are notated in the string parts
McConathy Reduction
Act One:
2nd horn has errors at rehearsal 21. Should be covering the written 1st bassoon part
There is a rhythmic discrepancy between the parts and the full score in the 5th bar of rehearsal 5, in the clarinet parts. The parts and the piano-vocal score match. The full score is different.
Act Two:
4th bar of rehearsal 4 has typo on last 16th note - should be E-natural, not F-sharp
10-11 before rehearsal 56, no wind instrument is indicated to sustain the C-natural for two bars, as in the 4th horn part. I had the 2nd violins sustain theirs.
Trombone part has inaccurate rests between rehearsal 61 and 62 (covering 4th horn part)
Act Three:
Rehearsal 9 is missing voices. BCl is covered in Fg, but the horn parts are missing the actual Fg parts.
Piano-Vocal Score
Act One:
The rhythm in the right hand in the bar before rehearsal 72 is incorrect. See full score for correct rhythm.
Act Two:
There should be no high A natural tied into the downbeat of rehearsal 3. The flute begins right on the downbeat.
This list is by no means exhaustive!
A resource for music directors regarding errata in published and licensed orchestral scores and parts in opera and musical theatre. Designed by Brian DeMaris, Conductor / Artistic Director of Lyric Opera Theatre, Arizona State University. Formerly Director of Opera and Musical Theatre, Ithaca College.
Showing posts with label Tosca. Show all posts
Showing posts with label Tosca. Show all posts
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