This list is not exhaustive, and most of the discrepancies I discovered in two back-to-back productions are very minor:
FULL SCORE / PIANO-VOCAL SCORE / PARTS
Note: some dialogue cues differ between the full score and the piano-vocal score. The piano-vocal score indicates the cues more clearly.
p. 62 / 3rd bar before the end is indicated to be repeated, doubling the length of Buchanan's A-flat (not in piano-vocal score)
p. 74 / 1 bar before F - there is an extra low F-sharp on beat four in the piano-vocal score, which does not exist in the full score or orchestra parts
p. 74 / 4th bar of F - last note should be a D-natural in the flute part (unclear in part)
p. 107 / 1 bar before H - piano vocal score has extra bar
p. 114 / 6 bars before C - 2nd note in the viola part should likely be D-natural, not E-natural
p. 153 / end of Maurrant aria - the piano/vocal score includes a final chord that does not exist in the orchestra score or parts
p. 212 / 3rd bar of F - if the "ad. lib." is played, the 2nd violins should have F-sharps, not F-naturals
p. 230 / letter G - the 1st Trombone part has misprints for the first 6 bars. The full score is correct.
p. 300 / 3rd bar of H - there is a discrepancy between the the rhythm of the bassoon solo between the piano-vocal score and the full-score and part. It's likely the full-score and part are incorrect, but this is conjecture.
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